Narrow your results
IT is obvious that Marcel Camus, the French director who made the highly colorful, tumultuous and tragic Brazilian samba film, "Black Orpheus," is trying to repeat the formula in his new film, "Dragon Sky," formerly called "Bird of Paradise," which opened yesterday at the Carnegie Hall Cinema.
He has taken a similar story, prepared by Jacques Viot, who did the script for "Black Orpheus," about a fated and frustrated love between a handsome young itinerant worker and a temple dancing girl. He has rolled out his color cameras to get some brilliant and exotic décor, and he has called upon Maurice Jarre to do a tinkling musical score.